Posts in Country & Folk
Erika Fowler

The lovely Erika Fowler came on for this episode of the Winnipeg Music Project to promote her recently release EP Stay. She shares her story and the events leading up to now with her successes in francophone musician competitions such as La Chicane Electrique and her experiences at folk fest. Tune in for a wonderful chat with this up and coming local indie folk singer songwriter.

Purchase Erika Fowler's EP Stay here

Set List:

Erika Fowler "Stay" from Stay

Erika Fowler "Oublie" from Stay

Erika Fowler "Worth It" from Stay

Erika Fowler and Ashley Bieniarz

Erika Fowler and Ashley Bieniarz

Support local music-maker Erika Fowler!

Bicycle Face

The lovely synth-pop duo Bicycle Face called into the show to chat about their music and promote their upcoming album release! These girls Theresa and Eva share their origin story and songwriting inspiration. 

Set List:

Bicycle Face "Halfway Tree" from Bicycle Face EP

Bicycle Face "Snow White" from Bicycle Face EP

Bicycle Face "Lists" from Bicycle Face EP

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Support Local Music-Makers Bicycle Face!

Fred Penner

Episode 54 of the Winnipeg Music Project is with the celebrated family music icon Fred Penner. He came onto to the show to promote his recently released album "Hear The Music" and shared how he got involved into what he calls "Human Music" and how the music business has changed over the years. He also gave excellent lyric writing and chord composition tips that all budding musicians should really know! What a guy!

Set List:

Fred Penner "This Is My World" from Hear the Music - LIVE

Fred Penner "La Vida" from Hear the Music

red Penner "Hear the Music" from Hear the Music - LIVE

Ashley and Fred Penner

Ashley and Fred Penner

Support local Music-Maker Fred Penner!

Justin Lacroix

Episode 52 of the Winnipeg Music Project is with none other than Justin Lacroix, the talented bilingual folk/blues singer-songwriter. Share an intimate life story about how his life involved music and dance and talked about his writing style and achievements such as playing at the WCMAs in 2016.

 Set List:

Justin Lacroix "Under the Same Moon" from Ticket to Tokyo LIVE

Justin Lacroix "Tout Bas" from Tout Dans ta Tete

Justin Lacroix "J'Etonne" Single LIVE

Winnipeg Music Project | Justin Lacroix

Support Local Music-Maker Justin Lacroix!

Tansy

For this episode of the Winnipeg Music Project, Kathryn Kerr (stage name Tansy, formerly known as Astre) came onto the show to talk about her alternative ambient music. She shared her experience as a solo artist and performer and talked about her tricks to achieve songwriting success. We also shared a never before heard song at the end of the episode and learned her inspirations and story for writing it.

Set List:

Tansy "Marie" from Wood Songs

Tansy "Bomb Shelter Secrets" from Wood Songs

Tansy "Swim" from Swim/Sleep

Support Local Alternative Music-Maker Tansy!

Don Amero

For the forty-forth episode of the Winnipeg Music Project and first episode of 2017, special guest Don Amero came onto the show to chat. He shared some wonderful stories about his decision to make music a career and his songwriting skills both solo and when collaborating. He shared some really great advice about balancing music and a family, believing in yourself and your music, and how taking on a team to help you out. *Cue Rocky theme song!*

Set List:

Don Amero "Won't Give Up" from Refined

Don Amero "On Down The Road" from Refined

Don Amero "Twilight Hour" from Refined

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Support Local Music-Maker Don Amero!

Jocelyne Baribeau

The forty-first episode of the Winnipeg Music Project is with Jocelyne Baribeau, a Francophone country folk singer. We talked about her recent album release Entre Toi et Moi and it’s success as well as how Jocelyne balances her music with her children’s character Madame Diva. I had so much talking with Jocelyne being a genuine fan of her music, and I highly recommend you listen to all the wonderful advice she shared during this interview. 

Set List:

Jocelyne Baribeau "Francois" From Entre Toi et Moi

Jocelyne Baribeau "If What I Had Was You" From Entre Toi et Moi

Jocelyne Baribeau "Lonely" From Entre Toi et Moi

 

Kakagi

The thirty-eighth episode of the Winnipeg Music Project if with Max and Jacob from Kakagi band! A folk rock quartet whose music makes you think Neil Young and the Weakerthans music had a musical baby. We talked about how the band formed, their decision to make their EP (pronounced /ke-ka-gi/), what inspired each song and their plans for the future! We were a couple of goofballs, and I'm sure you'll love to hear it for yourselves!

Set List:

Kakagi "Spadina Streetcar" from Pronounced Ke-Ka-Gi

Kakagi "The Inbetweener" from Pronounced Ke-Ka-Gi

Kakagi "Small Town" from Pronounced Ke-Ka-Gi

Support Local Music-Makers Kakagi!

Richard Inman

The thirty-sixth episode of the Winnipeg music Project is with the super talented country folk singer Richard Inman where we chatted about his recently release self-titled album and about his touring lifestyle.
What a cool dude. This is a great interview, please enjoy!

Set List:

Richard Inman "Milner Ridge" from Richard Inman

Richard Inman "Snow Bird" from Richard Inman

Richard Inman "Redemption" from Richard Inman

Support local artist Richard Inman!

Bel from Darling Twig

The thirty fifth episode of the Winnipeg Music Project is with the bubbly and beautiful Bel from Darling Twig. Here to promote their upcoming album release, we talked about her songwriting style, how to balance music with a full time job and how the band began!

Here is the music video for Darling Twig's song "May Love" we talked about in the interview! These ladies are so adorble.

Set List:

Darling Twig "May Love" from Trails

Darling Twig "Minor Bird" from Trails

Darling Twig "Trails" from Trails

Kevin Roy

The thirtieth episode of the Winnipeg Music Project with Folk singer Kevin Roy talking about his upcoming album release for Heartworn Highways, life as a full-time musician and much more!

Set List:

Kevin Roy "Same Old Sky" from Heartworn Highways

Kevin Roy "Heartworn Highways" from Heartworn Highways

Kevin Roy "Hard to Make a Living" from Heartworn Highways

Casimir Gruwel

The twenty-seventh episode of the Winnipeg Music Project with Casimir Gruwel. We talked about finding your own personal style, an alternative songwriting style, hiring managers, EPs vs full length albums and more musical stuff. Definitely give it a listen!

Click me for an itunes link!

Click me for an itunes link!

Set List:

Casimir Gruwel "Winter First" Single

Casimir Gruwel "Rocks" Single

Bartley Knives

The twenty-third episode of the Winnipeg Music Project with Daniel from Bartley Knives where he and I just hungout in his basement apartment and chatted about his new project. The interview on the blog is the extended version with two more songs and more awesome questions! 

Set List:

Bartley Knives "Mocking Birds" from For the Birds

Bartley Knives "Two Ships" from For the Birds

Bartley Knives "Windfall"

Bartley Knives "Robin" from For the Birds

ALSO, if you want to hear more from Daniel talking about Bartley Knives, here is another interview he did with my friends at Witch Police Radio!

 
Logan McKillop

If you missed the latest episode of the Winnipeg Music Project, here it is! 

The seventh episode of the Winnipeg Music Project where I got to meet with my good friend Logan McKillop where we talked about his recent tour with Richard Inman! 

Set List:

Logan McKillop "This World of Mine" Prairie Sky

Logan McKillop "Gary's Lament" Prairie Sky

William Prince (EXTENDED)
www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger William Prince

Did you miss this episode of the Winnipeg Music Project? That's okay! Or did you just want to hear it again? That's okay too! Here it is!

www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger William Prince

The Fifth Episode of the Winnipeg Music Project where I had the wonderful opportunity to meet with William Prince to talk about his Winnipeg Music Career and upcoming CD release on December 7th for Earthly Days at the West End Cultural Centre!

If you loved William Prince's songs "The Carny" and "Earthly Days" as much as I did, you NEED to be there.

Richard Inman is going to be playing too, which is always a treat so I highly recommend checking it out! 

Set List:
William Prince "The Carny" from Earthly Days
William Prince "Earthly Days" from Earthly Days

Keri Latimer from Leaf Rapids
www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger Leaf Rapids

Instruments: Guitar, Voice and Theremin

Genres: Folk, Adult Contemporary

I had the amazing opportunity to meet with Keri Latimer from Leaf Rapids, a Juno-award winning singer and I am very proud to say I didn’t completely freak out. Keri is a kind and extremely talented musician and I had so much fun listening to her talk about her experiences and life filled with music. We talked about songwriting and the Theremin and just had a great time. 


Ashley: How long have you been playing music?

Keri: Well I started playing piano when I was really young, I was about seven or eight but it was just for fun. I wrote my first song when I was 10, we moved from Calgary and I was really say about leaving all my friends and I Was looking at the back window as we were driving and I was just reflecting on how sad I was so it was something like losing your happiness and how it would always be behind me, something like that. I can’t really remember but that’s how it started?

Ashley: And how long have you been playing in leaf rapids?

Keri: It’s a new one actually; it’s only been a couple years for Leaf Rapids. We got offered a record deal and couldn’t really pass that up.

Ashley: So where does the name Leaf Rapids come from?

Keri: Leaf Rapids is a place my husband grew up in northern Manitoba and we would go there visiting and I always thought it was such a beautiful names. I think because the town is so small and isolated up north; it’s almost the end of the road and I just always loved that name. When we were thinking about band names I asked what my husband thought about it, he was a bit a torn about it because he grew up there.

Ashley: How did you get a record deal? Did they approach you specifically?

Keri: I was doing a solo album before that, Nathan is really hard on the road and I just needed a project to keep working on. So I played a showcase as a solo artist and one of the musicians in the showcase who was backing up Jill Barber and I knew him and I knew he was an amazing guitar player. I said “ Well since you’re sitting beside me, you might as well join in on my songs and of course he plays like he’d known the songs for years. He’s just one of those people and it was amazing. Afterwards we were talking and it turned out he had a record label and he was a producer and he offered us a project. We were looking for something because we love traveling.

www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger

Ashley: Why did you decide to learn to play the Theremin. 

Keri: We were making a Nathan record and we had four days until it was going to get mastered so the mixes were done and there was this one song that for the solo part we just thought that sci-fi instrument that was in all of the science fiction movies would be great but what the hell was it? We did some research and for some reason I found one at Mother’s Music in the corner gathering dust for half price. It just got left there because no one knew what it was, I think. It was a stroke of luck because they were hard to find so I bought it and I practiced and practiced it and now I’m completely obsessed with it.

Ashley: How do you learn an instrument like that? Is there a book?

Keri: It comes with a little book with a few suggestions on finger movements because I think the main thing about the Theremin is when you are figuring out a melody the tiniest knuckle movement is like a semi tone so you just need to get used to the tiny little increments takes a lot of work and shaking your hand to get vibrato. There isn’t really a way to play it, it’s very intuitive; it’s basically a leap of faith and trusting you’re muscle memory. In fact you have to turn your brain off, I find, it’s like meditation. You’d like it!

Ashley: What is a practice to jam session like?

Keri: For Leaf Rapids it’s basically me writing the songs and then Devin and I coming together and figuring out the bass parts.  I guess it’s primarily my song writing; with Nathan Shelley wrote a lot of the songs and now Mike who is apart of the band is a great writer and musician. IT’s more collaborative for Nathan but for [Leaf Rapids] it’s just mostly myself.

Ashley: So then what is your songwriting process?

Keri: It’s kind of embarrassing; this is lately. Sometimes I’ll get into a writing flurry and I’ll just put music to that. But more often than not it’s just melody and some gibberish which I record into my album and I’ll go through them and see if some imagery comes up and I’ll start piecing it together. But Mainly I’ll get struck with a melody but if anyone gets ahold of my iPhone, it just has the most embarrassing stuff.

Ashley: So who inspires your music? Or when you first started how did you find your voice and style?

Keri: Well I actually went to art school thinking I would be a visual artist and I took graphic design. It was so intense that I think on the side as a release of some tension I would just start songwriting. Ani Difranco at the time was just getting big and she was just an explosion that went off. When I heard of her, it was my first introduction to a really raw singer-songwriter and a guitar. She plays very percussively and she’s very poetic. You have to check her out. That idea of just be a songwriter with a guitar and have a message, that sparked me to just play a little bit. Then unfortunately my studies suffered because I was hooked by songwriting by full force.

Ashley: How do you go on tour when you have kids?

Keri: IT’s funny because Devin plays bass in the band with me so that’s handy. We bring them with us. In April we spent two weeks in western Canada and took our kids with us and toured with Slow Leaves. We practiced together and I learned a lot of backups for him, then he played guitar and sung backups for us too so it was a really feasible way. Part of the reason we paly music is because we both we love to travel so this is a way to subsidize our travel.

www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger

Ashley: Do they come with you to the show or do they stay in the apartment?

Keri: It depends, one of the festivals we did was 16 and over so we couldn’t bring them so we hired a sitter or nanny for those. But they’re starting to sell merchandise because they’ve started learning math.

Ashley: What accomplishments are you most proud of?

Keri: Right now I’m really excited to play Theremin for the WSO for the new music festival this January and that’s completely terrifying which is the sign that you should do because you should do what terrifies you so I’ve already started practicing for it.

Ashley: So what advice would you give to beginners who are starting to perform and get their music out there?

Keri: I would say always keep an iPhone or some kind of recording device and write whatever comes to your mind even if you think it’s stupid. Don’t censor yourself. IF you start censoring yourself you’re going to accidentally filter out a lot of really good ideas. And you have to get through all the stuff because you can start getting to the new stuff. Then you start editing things and take away. And practice, practice, practice; which everyone knows. It’s hard because you get so sick of yourself. My husband is really good at making us practice a lot. I’m always fighting him but I’m always so thankful when we play live.

Ashley: You mentioned this before but how do you balance your music with you other obligations?

Keri: I think it’s just a natural thing. Other than having to just turn out the music, which is a hard one but the consequences are not worth it. Also bring the kids on tour is a lot. I know a lot of musicians who don’t bring their families on tour with them and it’s really hard on them so I’m very grateful.

Ashley: What’s the best advice you’ve heard since you’ve started in the music?

Keri: I think, it’s to not censor yourself too much. Not to worry about whom you think you’re writing for. The songs that have affected me the much in a real emotional way, hadn’t written for a mass. There’s something particular in the details in a really profound way. Don’t’ be afraid to put those ideas out there that terrify you. 

Dustin Harder and Diamond Joe Dutame

Did you miss the first episode of the Winnipeg Music Project on the radio? That's okay! You can hear it here:

The debut episode of Winnipeg Music Project features guest Dustin Harder & Diamond Joe Dutame who were set to release their new records (Thursday November 5 2015) at La Scala on Corydon Avenue.

Set List:
Dustin Harder "Miss You" from Prairie Soul
Diamond Joe Dutame "A Good Day" from Patience - Live performance featured in episode

Ashley Bieniarz,  Diamond Joe Dutame & Dustin Harder

Ashley Bieniarz, Diamond Joe Dutame & Dustin Harder

Support local music-makers!

Kieran West
www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger Kieran West and His Buffalo Band

Genres: Alterative Country

Instruments: Voice and Guitar

Kieran West is living the dream everyday by having the opportunity to play with his music with his favorite band. He talks about his strong connection with his band members and his go with the flow songwriting skills. He confides how lucky he is and how where is, it what he’s always dreamed of. Not playing for 80,000 people or playing for the queen. Playing to 150 people who are having fun and everybody it happy; that’s the dream for him. 


Ashley: How long have you been playing?

Kieran: I’ve been playing music my whole life. I’ve been seriously playing for six or seven years. The buffalo band has been together for three and a half years.

Ashley: Why did you guys decide to start playing together?

Kieran: Well, I was working on writing a lot of songs and was just going to perform them by myself because I had had experience playing in bands that weren’t that great and kind of wanted to just do my own thing. But I started to really miss playing rock shows and having fun where people dance and single along. That doesn’t really happen when you’re playing mellow acoustic shows. Right at that time I met this band “Little House”, a girl that I was dating at that time introduced to me their music and I totally fell in love with their music and they became my favorite band in the entire world. I wanted really badly to just be in that band because I admired them all so much. It was a four-piece band and they all wrote songs together and I loved that. They really reminded me of the Beatles.  We would hang out and I would show them all my songs and they all really liked the songs and stuff. They wanted to help me out so we started talking about doing a couple shows together called “Kieran West and Little House” or something else. It just turned into this whole thing and we decided that we wanted to be our own band. The line-up has changed, it’s not just little house, but that’s where it started. I wanted to play rock shows and they came in there.

Ashley: What is a practice or jam session like with the rest of the band?

Kieran: We are very informal. As Roger Miller once said, he’s a country singer, “We play a highly informal set. The higher we get, the more informal we are.” That kind of perfectly describes our practices. We practice in our basement, drinking and having fun really. There is such a cohesive bond between the guys and the band because they had been playing for four years before we started so they have been playing together for seven years so there is such tightness. The songs aren’t really that complicated so we just get together and have fun; that’s what we do when we play shows anyways to it just makes sense to practice how you play.

Ashley: So you primarily write the songs so how do you bring those to the band?

Kieran: I write the songs, the verses and the choruses and whatever else; but it comes back to the way that we started. Just hanging out and me showing them these songs that are completed but, like I said I’m just a huge fan of them as a band, and I just tell them to do what they want. It’s never the way I that I hear it in my head when I write it but it’s always better. They always have so many ideas. They are all so musically inclined and these musical brains and they’ll come up with these ideas that make the song more interesting or exciting. They’re always working to improve the song.

Ashley: So what is your songwriting process like, then?

Kieran: Well it’s always kind of different but most often I’ll come up with a line in my head like maybe it’s start with some words, or something I want to say. From that, I’ll put a melody to those words and those will become my chorus. I usually start with the chorus and the hook of the song. We have the song “Big black bug”:

“Big black bug living inside my brain, and the thoughts inside are horribly arranged.” That’s all one complete thought that will happen in my thought and I’ll have that chorus and then start from the stop down and write the verses. I’ll use rhyming dictionaries a lot too. Yeah, usually start with the chorus then work the verses around it.

Ashley: So you’re music is more lyrically driven?

Kieran: Yeah, the whole reason I play music is because it’s so emotional for me and my songs are all about stuff that I have experienced or things that I feel. It is lyrically driven but it’s also with the band; they make it so musical that it’s a nice mix of both.

www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger Kieran West

Ashley: Who inspires your music? Who do you listen to that inspires your songwriting?

Kieran: That’s a big question for me. As a band we have many obvious country influences like “The Band” “Steve Earle”  “Hayes Carll” “Hank Williams III” , bands like that that are not necessarily Nashville country bands or classic country bands; country music in their own style. As a songwriter and as a human being I have so many other influences that are all very apparent in my songwriting. Like when I’m at home I don’t listen country music, I listen to hardcore punk like “Minor Threat” “Bad Brains” “Comeback kid” I was just to this morning. Stuff like that. Or Nirvana. It’s such a wide range of stuff; I love rap, I love learning from rap because there are things that rappers use lyrically like devices that rappers use that are just totally brilliant and don’t really exist anywhere else in music and there are things that I’ve learned and used. It’s really all over the place for me.

Ashley: So what is the most stressful part about being in a band?

Kieran: For me I would say: keeping everyone happy. That’s not to say we’re divas or anything; but as a leader I find it really important that everyone feels heard and feels respected and honored and all that. There are five of us which is tough to make sure everyone feels heard because there are five different personalities and five different musical personalities that are coming together and sometimes they don’t always match. That’s really important, if we’re not having fun then there is no point.

Ashley: With you’re band what accomplishments are you most proud of?

Kieran: We’ve been really lucky. We’ve gotten a lot of really great opportunities. It’s tough to just pick out one. I would say if I had to pick one, it would be to be asked to do the Minstrels program for the Winnipeg Folk Festival. That was a huge honor. We were asked to do it by the festival, I got a call while I was at work and asked if I wanted to play with my band; that it something that I dreamed about. It was really cool. It’s just really nice to be recognized and to even be on the track to play a stage one day soon. That was really huge. I’ve been going to the folk festival since I Was 16 and the first second I saw that stage and heard music coming from it I was like “That’s what I want to do, that’s where I want to play.” It was amazing to hang out back stage, ten feet away from Dan Mangan. It was cool.

Ashley: What advice would you give to musicians who are nervous about starting out?

Kieran: I would say, two major things:

Play with your friends, don’t try to start a band with stranger, because you’re not going to have as much fun and the whole point of music is to have fun.

And, make friends with bar owners and managers. It’s really good to have people like that on your side. It’s not just a phony thing, most of the people who run bars in the city are really down to earth, awesome people who are really really interesting in fostering young talent. Put yourself out there, next time you’re at the bar try to figure out who the manager is and introduce yourself. It never hurts to put your name out there. You want to get good shows, it’s not a secret if the bar owner likes you personally they are going to pay you better than if they don’t like you. That’s just the way it is. Music is like any other business; it’s all about who you know. We’re met some really amazing people through bar owners just hanging out.

Ashley: Before a performance what do you do to deal with nerves?

Kieran: That’s a funny question for me because performing and pre-performance are the only times I don’t have trouble with anxiety. Anxiety is a huge problem in my life and performing is the one time that I am never anxious. I feel great. I feel on top of the world. I feel like I’m doing what I’m supposed to be doing and it just feels right.

Ashley: What is your favorite song to perform live?

Kieran: This song Coming to Terms; It was one of the first songs that we ever learned, and we still play it. It’s a song I wrote about a conversation I had with Ben Figler, who was the singer of Little House who is now the singer for Somebody Language. It was just a conversation we had and I wrote the song Coming to Terms about that conversation. It’s a very simple song with two chords the whole way through, basically.  At the end we have this end where we going into this jam section where everybody lets loose and it’s the same chords this song called “At least that’s what you said” by Wilco which also ends in a jam session so we ripped a lot of stuff from that but it’s cool because Wilco is one of our favorite songs in the world so it’s like we’re playing a Wilco song; but it’s also the same chords as “Don’t let me down” by the Beatles so a couple bars into the jam session, I go into the chorus of that song and sing it. But I can’t really hit the notes so I’m just screaming it. It works and it’s a lot of fun. We just totally rip at it; it’s awesome.

Ashley: How do you balance music with other obligation like work?

www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger Kieran West

Kieran: It’s not easy. When you’re really serious about music and working full-time and recording yourself, you don’t find yourself with a lot of free time. Especially when you manage yourself. We do our own artwork for posters for promotions and talking with college radio sessions and publications. There is a lot of time that you put into it and that can get really stressful. People need free time. That’s just kind of a fact; people need time to relax. When I’m working, [we aren’t working as hard] with the music thing. When I’m working on music, I really feel like I’m working towards something and I love the work that I do in the schools. So, it’s really just a matter of focusing on the fact that I might be tired, I might be exhausted but I’m doing what I’ve always dreamed about doing. So that makes it okay. Luckily working in a school, I have good hours and I have summers off so I can focus on doing festivals and promotions and all that over the summer. I have my evenings and weekends off, which is very good. Other guys in the band, our bassist Corey works at the Handsome Daughter and they are quite accommodating for him with getting nights off. One way or another we make it work. It’s just so important to all of us that we just have to make it work.

Ashley: So when you finally get that time to songwriting, how to do get into the zone or find that inspiration?

Kieran: I only write when there is inspiration. Inspiration comes from everything. All my songs are about my own experiences. We have a song called “Kill myself today” and I was just walking and feeling depressed and thought about jumping in front of a car, no seriously of course. But that melody started to come into my head. It was this bouncy, blue grassy thing. I was like “I could kill myself OR I could write a song a turn this pain into something happy.” It takes away the power from that feeling and we play it at shows are people are dancing around and singing along and all of that. Its just things like that. I like to write about my family a lot. I have a really serious interest in family history and stuff like that. I like to write about stories from my family. I love hockey, I’ll write about hockey. It just comes from everything. I was thinking Red Green the other day, and was thinking about his catch phrase “Keep your stick on the ice.” So I wrote a song called “Keep your stick of the ice.” You get ideas from listening to music, that’s where I get a lot of my ideas. 

Ashley: What’s the best advice you’ve heard since you started working in the music business?

Kieran: That’s another tough one because we really have been very fortunate to meet really successful people who have given us a lot of really helpful advice. I would say the best advice I’ve ever gotten from a musician from Bobby Desjarlais from Attica Riots. He has been a mentor of mine every since I was fifteen years old. He was working as an EA at Kelvin high school when I was there and he saw my band perform and he found me the next day at lunch and took me to this little office where he had been writing songs on his breaks, I guess. In that room, I Would go everyday, I was in the process of dropping out of school at this time so slowly and slowly I stopped going to class and just be in that little room with Bobby and his students and I would be hiding out from my classes but I’d be learning the things I Really wanted to be learning. The most important I learned from him while I was there was: When you’re writing a song, no matter what you’re writing about, even if it’s a meaningless pop song, always know what you’re writing about. Always have a point and always writes about something real. Even if it comes out as gibberish, just always have a point and always know why you’re writing the song and what it means to you. That’s something I’ve always carried with me.

Carly Dow
Photo Credit: Janine Kropla

Photo Credit: Janine Kropla

Genres: Folk, Roots inspired

Instruments: Guitar, Banjo, Harmonica Voice

Carly and I met in the Riding Mountain National Park earlier this summer and enjoyed the wonderful weather. She was incredibly sweet and kind and I was so excited to interview her. Carly’s beautifully crafted lyrics are excellently complimented with sweet melodies. I personally love her new album Ingrained,  which you should definitely check out if you want to have a wonderful true folk experience. 


Ashley: How long have you been playing?

Carly: I have been playing for about 10 or 11 years now and I have been writing my songs for a few years less than that. I started writing my own songs when I was 16 or 17; it’s hard to remember [an exact date]. I have been playing in various bands for years but this is my first plunge into the solo stuff.

Ashley: Why did you decide to start making and performing music solo?

Carly:  It was kind of the situations where I just had to (laughs). I was playing in a band, a trio, for a couple years and we were quite serious; but it didn’t end up working out, we all went out separate ways. I had to keep playing music so I had a whole bank of songs that I wanted to get out into the world and I figured ‘I have to do this, so why not?’ It’s been really liberating in a way, it’s been a good push to explore that side of music.

Ashley: How often are you practicing your instruments?

Carly: It depends; I wouldn’t necessarily call myself a player at this point. I’m always aiming to get better at my instruments, I try to pick it up once a day and at least practice scales. It doesn’t always work out because other things get in the way but that’s one thing I’d really like to get better at: becoming a [better] player on the guitar, I feel more comfortable on the banjo. Sometimes the time isn’t there, especially when you’re songwriting as well. [Songwriting’s] my main focus, a lot of my time goes into that.

Photo Credit: Joey Senft

Photo Credit: Joey Senft

Ashley: What inspires your music?

Carly: A lot of my surroundings inspire my music. Whether it’s my natural surroundings or the people around me, things I’ve observed or stories I’ve heard from other people. I find the most common theme is the nature world; it seeps into most of my songwriting.  I live in the woods now and my whole life I’ve grown up admiring nature and being inspired by it so it’s kind of natural that that would happen.

Ashley: Is there anyone you listen to?

Carly: I think probably my main musical influences have been kind of along the Gillian Welch strain of really lyrically driven songwriters. Also I really love specifically Hunter Hunter by Amelia Curran, I haven’t really listen to any of her newer stuff but that album really drew me in. Just in Winnipeg alone, there are so many artists that inspire me and continue to. It’s just amazing. I really love Scott Nolan’s work. Richard Inman is kind of an emerging artist that is really good; he’s worth checking out. The Crooked Brothers, obviously, they co-produced [my] album. I really love the sounds they get on their albums and their ability to draw them out of certain spaces and instruments.

 Ashley: What is your songwriting process?

Carly:  It actually varies quite a bit. Sometimes I’ll sit with a batch of poems and start with words first and kind of play with the music [and melody] afterwards. Often I just sit down with my guitar and nothing in mind and work out a melody and chord structure first then words come later. Depending on the song, some just come out and they are done and it takes 5 minutes, while some need a lot of tweaking so it can take months to finish a song.

Ashley: What accomplishments are you most proud of?

Photo Credit: Janine Kropla

Photo Credit: Janine Kropla

Carly: I’m really proud of this album. I’m really really grateful for the opportunity to play these songs and sing them and get them into people’s homes and hearts. It’s been a real challenge at times for me to take the reins as the leader of this project. I’m so used to having a collaborative situation where I’m in a band and a lot of other people are involved so I’m just really proud of myself how much I’ve grown creatively through the process. [I’m] proud all of the work that’s gone into it and how well it’s been doing and how well it’s been received. It’s really exciting. It’s kind of crazy.

Ashley: What is the most stressful part about going on tour?

Carly:  The admin side of all of it is quite time consuming and stressful at times. The booking, the tours, the PR, I’ve been doing it all independently at this point and it’s just a lot of work. It’s a lot of time on the computer and staring at the screen and on the phone. It’s all together not enjoyable but it’s all part of it and it’s put you in contact with the venue owners and you get to know people a little better that way. It all worked out really well considering I don’t have tons of experience with it.

Ashley: What advice would you give to beginners who are nervous about starting out?

Carly: Just do it! Just do it. It’s daunting and there is a lot about it that can turn you off but you just have to go for it if that’s really what you want to do. There are a lot of things, like the costs and the time, that can be really scary at first but there are a lot of different ways to put music out into the world these days and if you are limited in finances you can find a way to just record a single or a record it digitally and put it out that way. There are lots of options. If you’re passionate about it, I think you should just go for it.

It takes a certain amount of drive to want to do it because it’s scary. For me, someone who has always had a full-time job and financial security, I can understand how it can be a little nerve wracking to just dive into this thing that is so uncertain and so variable. You can always go back to a job if you find that’s what you want to do in the end. It’s one of those things that if you have the opportunity you should take it.

Ashley: What do you do when dealing with nerves before a performance?

Photo Credit: Megan Steen

Photo Credit: Megan Steen

Carly: Often I don’t get too nervous anymore before shows but I actually experienced a really intense bout of nerves before my album launch party at the West End Cultural Centre [earlier this year]. That was one of the last times I had been that nervous. I don’t really have a method myself of dealing with it, I kind of just pace around and get really anxious before the show but once I’m on stage I feel completely comfortable and at home. I had a couple friends backstage with me who were just kind of hanging out and talking and distracting me, which helped a little bit. I just work through it and get on stage and it gets all better. A friend of mine used to puke every time before a performance because he was so nervous but he doesn’t do that anymore.

Ashley: What is your favorite song to perform live?

Carly: It changes depending on whether I’m playing by myself or with my partner Jesse or with a full band. It depends on the venue too. If I have the full band and the strings are set up, I really love performing Yours & Mine, that’s one on the album. Again with the full band I love performing Down This Road. It was the first single off the album. If I’m just by myself or with another person I love doing Not a Songbird with banjo. I really love how that one turned out on the album.

Ashley: How do you balance music with your other obligations (work, etc.)?

Carly:  I have a lot on the go. It’s always been a balancing act, juggling [everything]. I’ve always had a job because I’m passionate about a lot of things and I work for a land conservation organization and I have for about 6 years. I am fortunate because juggling that is quite easy because they let me go on tour. We have worked out a way where I work when I’m at home and then I can go when I need to on tours. Not a lot of people are that lucky so it’s not too bad. I really like being able to balance home life with tour life. I like being at home. I’ve got a gorgeous new place so it works out well; it gives me time to write and kind of compress and reflect. I don’t know, I’ve never really struggled with time management; I’m a relatively organized person so it’s not too difficult for me.

Ashley: What’s the best advice you’ve heard since you started working in the music business?

Carly: I’ve had a lot of different advice from good friends, from people who have been doing it a long time who might be a little jaded and people who are really implanted in the industry that have a lot of advice regarding the business end of it. I think the best advice I have been given, like I told you earlier, is just keep doing it. If it’s your passion and if it’s what you want to do no matter how hard it is and no matter how frustrating the music industry can be, especially as an independent artist, just keep doing it. Just keep writing. That’s one thing a couple people have told me; just keep writing. Even if you don’t have music in your life professionally, you’ll probably have it in your life in some regards. I think that is the best advice you can give someone.

Raine Hamilton
Photo Credit: Megan Steen

Photo Credit: Megan Steen

Genres: Acoustic, Classical, Folk, Roots, Singer-Songwriter

Instruments: Instrumentals, Classical violin, Guitar and Voice 

Raine and I met outside the cozy Thom Bargen coffee shop. It felt like we were having more of a hear-felt conversation rather than myself simply interviewing her. Raine was super friendly and easy to talk and listen to about the music industry and her journey so far. Congrats to her and all her achievements so far! I can't wait to see what more wonderful opportunities come her way~!


Ashley: How long have you been playing?

Raine: I started playing violin as a young child, it’s been twenty something years.

Ashley: And why did you decide to perform?

Raine: It’s really hard not to perform. It’s just something in the blueprint of my life that this is something that I do. It’s so hard to not perform.

Ashley: What accomplishments are you most proud of?

Photo Credit: Hillarie Tasche

Photo Credit: Hillarie Tasche

Raine: The thing I’m the most proud of is how hard I have worked. I am proud of how I’ve prioritized art and music making in my life because that was the thing that was hard. It was a challenging, scary thing to do, to make it my main focus in life. To put my time where my mouth is. That is what I’m most proud of and that has lead to opportunities that I am so happy to have like going with Manitoba Music to perform music in the Ontario Conference last fall; and all of the work and the opportunities leading to the album release [which was] a really joyful, successful experience. This summer I’m touring all over the place and playing in a lot of festival, which is my absolute favorite.

Ashley: What advice do you have for beginners who are nervous to start sharing their own music?

Raine: I think it’s important to be clear about what you want and then to make a plan. I think the best thing to do is seek the advice and seek the counsel of people who have done this before you. I’ve had a ton of meetings with artists over the last few years and have learned so much and have benefited also from the community. I would say find people that you admire, ask them about [anything]. This community [we have] is really helpful.

Ashley: And how do you approach them, these people?

Raine: I always offer to buy them lunch and always write down everything they say and they take it seriously.

Ashley: But how do you find them?

Raine: Just ask [around]! All they can say is yes and no.

Ashley: How do you balance your music with your other obligations like work?

Raine: A lot of my work is music based so that is good and complimentary to my music. I have achieved balance by reducing my other work’s hours so I can spend more time in the music business. That is one thing, to work less.

Ashley: Does it make it harder?

Raine: Well, financially it makes it harder to work with but there is more time which is much more valuable.  Time is the most valuable thing. I also used to always make lists. I have a bed time so won’t just work constantly around the clock [laughs].

Ashley: So how do you handle the nerves before performances?

Raine: Preparation before a performance. I make sure I’m really prepared. I’ll practice a lot and I practice all the aspects of the show especially for a really important show. All the on/offs, all the things I’m going to say and when I’m going to say it. I craft that and that helps with the nerves. I also think the more I perform the less nervous I am, [the process becomes more fluid]. Just practicing performing is it’s own treatment for nerves.

Ashley: What are you practicing? Are you playing through the songs? Technique?

Raine: I’m practicing anything that needs work. So on any given day it could be any of those things.

Ashley: And what is your songwriting process?

Raine: Sometimes different ways but usually it’s a first line that comes. Melody is often apart of that early process, too. I guess it happens it’s own ways. I sometimes feel a song is it’s own thing already and it depends on what I pick it up by first or what end is poking through the sand first.

Ashley: Are you one of those people that can write an entire song at once, or are you one of those people that takes pieces from a year ago and piece them together?

Raine: I feel that I’m more a collector of bits and they find their way together. In my experience it kind of feels like that.  An accurate description of my process is that I gather pieces together and I feel like a responsibility as an artist to do that when I see those pieces. It often is a process until I find a match together with the bits and I can feel it and often it takes a long time. Sometimes it’s quick and sometimes it’s possible to usher that process along. I was at the Manitoba Songwriting retreat in March 2015 and we wrote a song a day; it’s possible. It’s a different process though.

Photo Credit: Megan Steen

Photo Credit: Megan Steen

Ashley: Is it harder? I don’t know it if I could do that.

Raine: It’s not that it was harder the process was very different. It was fun. It’s good practice to just make choices faster.

Ashley: How do you choose the feeling to come across in your song? How do you choose your emotion?

Raine: That part happens by itself. That is a pre-existing bit and it usually makes itself obvious in the beginning.

Ashley: Is it like a self-conscious thing or are you naturally picking that mood or feeling?

Raine: You know, I don’t think I can actually describe it. I think that is the crux of the thing. It’s the feeling that it is. It’s the place that where the song lives so I don’t think I decide that, it just happens. I think that just is the thing.

Ashley: So this album you just released, why did you decide to make this album?

Raine: Why did I decide to make this album? Because it’s a step on the way that to the life that I want to lead and it felt right and good to do it.

Ashley: What’s the best advice you’ve received as artist or as a musician that you just take with you?

Raine: The best advice I’ve received is [something] someone said to me very matter-of-fact ‘do not be strayed from you course.’ To me it means do not be swayed from what you love, it is important. I think it speaks to me [because we live in a culture where] art is valued a lot less that [how much I value it] in my heart and it can be hard to live like that. But do not be swayed because it is important.​

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