Posts in HipHop Rap & R&B
Postwar

Pulling from their background in Noise & Hardcore, Postwar aims to make authentic, visceral Hip Hop. As a member of Winnipeg music collective "Styx City Cult", Postwar pushes their brand of Alternative Hip Hop alongside collaborations with fellow Cult members and artists across the world. Postwar's music has been described as "the grimiest in the city" and for good reason. Non-stop aggressive rhyme schemes and flows coupled with simultaneous braggadocio and self deprecation make Postwar's catalog one to dig through.  

All pre-recorded music has been removed from this episode. 

The set list originally featured in this episode is:

Postwar “Wool Fabric“ Single

Postwar “I’m Not Okay“ Single

Postwar “Static“ Single

For more local music, check out the Winnipeg Music Project website. 

Thank you to UMFM 101.5FM.

Music by Will and Art from Collector Studio.

Ashley Bieniarz and Postwar

Ashley Bieniarz and Postwar

Support Local Music-Maker Postwar!

Stun

Listen to the latest episode of the Winnipeg Music Project with the kind-hearted and hardworking hiphop artist originally from Cross Lake, Stun. We chat about his journey since his beginnings at a local talent show, his life and aspirations two LPs later, and the balance of having a music career and fatherhood.

The set list originally featured in this episode was:

Stuns ”Feel Me Flow” from Braided Up

Stuns ”Play It Right” from Braided Up

Stuns ”I am Native” from Braided Up

For more local music, check out the Winnipeg Music Project website.

Thank you to UMFM 101.5FM.

Music by Will and Art from Collector Studio.

Ashley Bieniarz with Stun

Ashley Bieniarz with Stun

Support local music-maker Stun!

AC Breeze

AC Breeze is a Winnipeg-based musician and storyteller on a constant grind to bring deliciously marinated music to your ears. Raised in Steinbach, Manitoba but born in the Philippines, AC Breeze often expresses storytelling through a wide range of genre and melody.

 
 

All pre-recorded music has been removed from this episode. 

The set list originally featured in this episode is:

AC Breeze “Blink of an Eye“ Single

AC Breeze “Blue is my Favourite Color“ from The Leaves Fall With The Tears

AC Breeze “Three Letters” from Codename Breeze

For more local music, check out the Winnipeg Music Project website.

Thank you to UMFM 101.5FM. Music by Will and Art from Collector Studio.

Transition contributed by Selci.

Ashley Bieniarz with AC Breeze

Ashley Bieniarz with AC Breeze

Support local music-maker AC Breeze

Jet City Records

We stumbled upon the local hip-hop group Jet City Records while collaborating with USA Blog Network for it’s Facebook live interview series “Hometown Hero.” We connected after the show and decided to have them on the Winnipeg Music Project to talk more about their efforts and confidence in the local hip-hop scene.

All pre-recorded music has been removed from this episode.

The set list originally featured in this episode:

Jet City Records “Ya Ya“

Jet City Records “Strippa Pole“

Jet City Records “She Fly“

For more local music, check out the Winnipeg Music Project (http://www.winnipegmusicproject.com/)

Thank you to UMFM 101.5FM (http://www.umfm.com/)

Music by Will and Art from Collector Studio (https://www.collectorstudio.net)

Transition contributed by Tristan Zaba from ZABA (http://tristanzaba.com/)

Jet City Records with Ashley Bieniarz

Jet City Records with Ashley Bieniarz

Support local music-makers Jet City Records

Meet your Music-Maker! w/HAVS, Jessica Be, Shea, Malcolm-Jay
New Poster - Meet Your Music.jpg

Meet Your Music-Maker was a unique opportunity to hear from the local music-makers themselves about their art, their journey as a musician and the music they are currently working on, followed by a live performance showcasing the music. Locals came down to the Handsome Daughter on March 3, 2019 to hear an interview LIVE followed by a mini showcase of each artist’s music and performance style.

Thank you so much to everyone who came and supported local music.

Winnipeg Music Project - Meet Your Music-Maker | Malcolm-Jay, Shea, Jessica Be, HAVS

Support local Music-Makers!

Jaywood

What started as bedroom "sad jangle pop songs" just singing about how sad or miserable I was, things slowly started to change as time went on (both style and direction wise) into the more "psych funk" sound that is shown today! JayWood carries a unique sound that has been entirely self-taught, and manages to combine indie-pop with jazz chords and a psychedelic feel. His music is heart-felt and therapeutic at its core, but hosts a feel-good dance party at live performances.

Set List:

JayWood “Club 3Dx” Single

JayWood “Another Life” Single

JayWood “Quit Your Job” from Somber > Summer EP

Ashley Bieniarz with Jeremy Haywood Smith (JayWood)

Ashley Bieniarz with Jeremy Haywood Smith (JayWood)

Support Local Music-Maker JayWood!

Alpha Toshineza

Alpha Toshineza is a francophone MC and graphic designer. Born and raised in Luxembourg, Alpha started rhyming in the early 90s. He was a member of different rap groups (HLM, MQP, Nouvelle Alliance) before going solo under the name Gospel Emcee. He released his first EP (Bonne Cause) in 2005 and his first album in 2007. In 2014, Alpha moved to Winnipeg, and started his design studio and record label JAZZ INUIT. "Jazz Inuit » is also the name of his latest CD released in 2017. This album earned him a nomination at the Western Canadian Music Awards for "Francophone Artist of the Year » and a SOCAN Price for Best Francophone Song. Alpha loves to collaborate with live musicians but also enjoys going back to the essence of hiphop (one mic, 2 turntables). Alpha will rock the stage with DJ Stop at Winnipeg Jazz Fest, Canada Day and the Northerntouch Music Festival. Alpha has collaborated with many local artists like DJ Crabskull, Elessar Thiessen, Justin Lacroix, Kelly Bado, Selci, Joanna Majoko and many more.

All pre-recorded music has been removed from this episode.

The set list originally featured in this episode:

Alpha Toshineza “Chaque Jour”

Alpha Toshineza “I don’t know (ft. Selci)“

For more local music, check out the Winnipeg Music Project (http://www.winnipegmusicproject.com/)

Thank you to UMFM 101.5FM (http://www.umfm.com/)

Music by Will and Art from Collector Studio (https://www.collectorstudio.net)

Alpha Toshineza with Ashley Bieniarz

Alpha Toshineza with Ashley Bieniarz

Support local music-maker Alpha Toshineza!

O.G. Ricky Gee

Local Hip-hop/rap/r&b artist O.G. Ricky Gee came onto the Winnipeg Music Project to share his story and inspirations surrounding his music and plans for the future.

Set List:

O.G. Ricky Gee "Hell & Back" [Kid Ink Remix]

O.G. Ricky Gee "I Wish"

O.G. Ricky Gee "Where I'm from" (Produced by Magestick Records)

O.G. Ricky Gee "Ballin' No Jersey" (Produced by Foreign Made It)

Poetry in Motion

Dan and Dag from Poetry in Motion came onto the show today to talk about their talented and close knit hip-hop collective. They shared their origin stories and how all 9 of the collective members work together to bounce ideas off one another, collaborate, gig together and host wonderful charity events for the community. 

Set List:

Poetry In Motion (from Dark Matter) "Born Into This"

Poetry In Motion (Featuring Blas, Babble'On, & A-FiX) "The Northern Cipher"

Dag (Featuring A-FiX & Vikki G) "Funkin You Up"

Poetry in Motion | Winnipeg Music Project

Support local music-makers Poetry In Motion!

Jill Alexander

Episode forty-seven of the Winnipeg Music Project is with the lovely Jill Alexander. A hip-hop and R&B singer-songwriter with a story as powerful as her voice! Here to promote her own music as well as the WitchPolice's Big Mix Up: Allstars show that will be happening this Sunday January 29th at the park theatre. A show where random musicians improvise in an improvised band where the audience picks the genre and topics. 

You can also hear Jill's current favourite song to perform here:

Here is the link for the upcoming event both Jill and I will be particitpating in together!

Set List:

Jill Alexander "I am Here"

Jill Alexander "Beautiful" from Sentient Being

Jill Alexander "Sentient Being" from Sentient Being

Support Local Music Maker Jill Alexander!

NCR

The seventeenth episode of the Winnipeg Music Project with New Republic Collective talking about the new project and recent single releases. 

Set List:

NRC "Hope"

NRC "Thought of Your Love"

Support Winnipeg Band NRC!

Maxine Peters
www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger Maxine Peters

Instruments: Guitar and Voice

Genres: Pop, R&B

Infusing soul into vocals with jazzy chords into a pop song structure, Maxine has a ton of feelings to share and uses music as a way to express herself and connect with other people. Her honesty in her music leaves a relatable feeling that tells you she’s singing her message from the heart. Maxine and I hung out on her balcony and chatted as she did her makeup for work later that night. It was a lot of fun spending a relaxing afternoon with her in the warm summer air. She talked about all her hard work on her upcoming single and experience as a songwriter and performer.


Ashley: How long have you been playing?

Maxine: Well [I’ve been] singing always. When I was really little, like four or five years old, my parents would have me sing in church all the time. I would go up [on stage] and do solos in my little church dress and hats with no fear. As I grew a little bit older and grew very shy. I was very academically focused and did really good in high school. [Music] was this secret love of mine. I only started playing guitar when I was 18, a friend of mine got me a guitar because he believed in me and knew I had this secret love for singing. From then on I started writing with a guitar and then I went to college I finally admitted to myself that [music] is what I wanted to do with my life and have been pursuing it ever since then.

Ashley: How often are you playing or practicing at home?

Maxine: Practicing? I find that at this point I am so busy gigging, I have a lot of things that just keep me up to practice. I find that I’m not practicing as much as I used to when I was in college or when I was taking voice lessons. These house gigs I have are great places to try out new songs and make sure I stay in practice, as long as I’m doing it in a weekly or biweekly basis. That keeps me up to speed on a lot of things. Otherwise, I don’t have a lot of time. If I’m at home, I’m songwriting.

Ashley: What are house performances?

Maxine: By house gig I mean I have a regular gig there.

Ashley: Have you toured before?

Maxine: I went to a music school in Nashville and when I was there we went on a tour collectively; but I haven’t done a solo tour. I’ve traveled around to Toronto and some places in the states but I haven’t done a full-fledged tour.

www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger Maxine Peters

Ashley: What would be the most stressful thing about planning or getting ready to tour?

Maxine: Booking is tough in outside markets, especially when you are doing it alone and trying to sell somebody on yourself. It’s definitely easier when you have somebody else booking for you. Being an unknown and reaching out to a market that doesn’t know you is the toughest part. In Winnipeg, I feel like I have decent handle the regular big gigs I want to book. Everybody is connected here so I find that if I want to get in touch with somebody I can. They won’t necessarily book me but I find it easier in touch with people rather than going to Toronto who would prefer your agency to book you and you don’t have an agency.

Ashley: What you recommend for people who want to book shows in Winnipeg?

Maxine: It depends what kind of shows you want to book. Once I have new music to market myself, I want to push for playing bigger gigs and festivals. Right now I’m playing smaller patios and such. For that, I just found contacts with managers at different bars, etc. For festivals, I’d say the more musicians you know the better. Even getting booked as an opening act at the park theatre or West End. The more friends you make, the better. Go to Manitoba music events, work your ass off, follow people online and connect with them. Try to write with them and things like that. If you have that rapport and your genres work together, why wouldn’t you want to work together?

I’d say try having someone vouch for you for festivals, unless you know the organizers yourself. Sometimes it just looks better to have someone else; if you have an agent that is awesome or a manager, or if you have somebody who can play that role for you.

Ashley: Who inspires your music when you are writing or performing?

Maxine: There is this girl I’m currently obsessed with lately, everybody knows it, her name is Tori Kelly, she is the love of my life. She is doing something very similar to what I want to be doing. She writes from the heart, which I love. I also love Lauren Hill she’s amazing! I love Top 40 too. People knock on pop music all the time, but I love pop song structure. Styles like Katy Perry and Taylor swift; I love taking that and infusing it with jazz and soul.

Ashley: What is your songwriting process?

www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger Maxine Peters

Maxine: I’m not going to lie I need to do more co-writing; I don’t do a lot of it. I usually write by myself. I like to start by writing before I go to bed if I have some thoughts in my head. I have to feel like I have something to say. I’ll usually write the lyrics separately and a lot of the time I’ll just let go of whatever is inside me. When you are writing you have to turn off your editor at first. You can turn it on later to make the song the best it can be but at the beginning during the creative process you just need to let yourself be as free as possible. I like to just write and write and never let myself think something is too wrong to write. I’ll usually take a section or a line or two lines and later when I’m playing guitar I’ll come up with a riff and whatever that riff is I’ll find some sort of melody to go with it. I’ll try to infuse the two together and build other lyrics around that. I’d say my music is very rhythmic based. 

Ashley: What accomplishments are you most proud of?

Maxine: In 2013 I won a songwriting contest for a single of mine called Shame On Me with the Manitoba Songfest. It was really nice as a writer because I’m primarily a singer and it was great to be acknowledged that way.

What’s really cool and recent is that I opened Nick Carter and the Pyramid. That was a lot of fun! The demographic was exactly what I want to be playing for.

Also, I was with a bunch of artists about a year and half ago playing a fundraising show at the Burton Cummings Theatre. It was with all these other local artists. On that stage I did a song solo and did two songs with a beat boxing friend of mine. Being alone on that giant stage, it’s such an iconic stage, it was such a big moment for me.

Ashley: What advice would you give to beginners who are nervous about starting out?

Maxine: I would say when it comes to being on stage and getting over nerves you have to throw yourself into it and know that it’s going to get better. I find with nerves that often half way through the first song you’ll find that you’re going to be okay. It’s going to be all right and you are going to get less nervous as you do it.

Also when songwriting, don’t be afraid to suck and know that you’re going to write a lot of shit. Most people write a lot and take what’s good and you edit that to make it the best version of itself. Not everything you’re going to write is going to be gold and you have to be okay with that. I know people that have told me that they have tried to write and they say, “everything I write is just so cheesy.” You don’t need to worry about that right now and just keep writing. The greatest songwriters are not writing hits every single moment. They are writing a lot and they take from that lot and edit it down.

[You also need] to network. The better your know yourself as an artist and a band the easier it is to stay true to yourself, to market yourself and sell yourself when you are in the world.

Ashley: What is your favorite song to perform live?

Maxine: I have two songs, one that I open every show with and one that I close every show with. One is called Better that’s the one I’m recording it right now and I’ll close every show with it. I open with I just want to love you. They are both really upbeat jams with pop chorus. I feel like they optimize what I do so those are my favorite. You have to have your opening and closing songs down pat for sure, they have to be killer.

Ashley: What is the process to get started to record a single? Did you have to apply for funding?

Maxine: I’ve applied for grants in the past and did not get accepted for them. The current producer I work with, he is fantastic, has been helping me out. I got connected through a DJ friend of mine, so we sat down and I played him a bunch of songs and he was really into what I do and he wanted to help me out.

Ashley: How did you decide which song to pick for your single? How did you know the song was ready to be set in stone through recording?

www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger Maxine Peters

Maxine: I’d say the latest song you’ve written is always your favorite one but that doesn’t always mean it’s the best one. Sometimes you have to let them sit for a month and play it for people that you trust too. Have them tell you if you need to tweak some things. For a single it has to be a very specific type of song and I just had that feeling for this one song of mine. I feel like it could have a good mainstream feel and I love what I’m saying in it. As long as it’s got the marketability along with heart connection, I think that’s a good balance.

Ashley: What’s the best advice since you’ve started working in the music business that has just stuck with you?

Maxine: One of my Profs in Nashville said ‘the audience isn’t always right but they never lie.’ The audience is going to react the way they are going to react, they may not be right but they are always telling you their truth. I think that’s something to keep in mind. Think about that when you are out online or at shows, you don’t have to take everybody’s advice but they are going to tell you what they think is true. 

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Flo
www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger

Instruments: Voice and piano

Genres: Soul, Urban and Pop

Flo and I met back in December 2014 when we were both performing at a Holiday Party. It was one of the first times I ever performed solo and was really nervous. Flo did an excellent job calming me down and encouraging me. (Her performance was also absolutely stunning, by the way.) I knew she would be a great choice to ask to interview because she would have great advice and feedback about the music industry. Her bright and energetic personality was amazing to watch and listen to as she passionately talked about her musical experiences. You can tell this girl absolutely adores music. 


Ashley: What made you decide to do music?

Flo: For me, it was the one thing that felt right. I felt this fullness, this connection. It not only felt right, it felt good. Everything else I tried and looked into, when I was looking into different careers and fields, nothing felt like really and truly me. [Music] felt like a great fit for me because it was effortless. I loved it.

A: How long have you been professionally singing?

F: This sounds hilarious but I always joke around when I “came out of the closet” with music; because I was definitely more of a closet singer. Growing up, myself and my sisters and my cousins all loved to sing. I always believed because of the way I grew up that the arts like dance, drawing, writing stories anything artistic was a hobby. It’s not something viable.

Now that I look back on it, I was naturally always artistically driven. My sisters and I sang since when were like who knows. I have a memory of the three of us being buckled up in the back of my dad’s car and the radio would be on and we would be singing and I remember him turning around and being like “How?! Who taught you guys that?” We just sang, we just imitated what we heard on the radio and we still sing all the time.

I used to love dancing. I watched those shows like ‘So you think you can dance?’, I love it. Singing, dancing and I still have my old sketchbook. I love writing stories. All the stuff came so naturally to me. Nonetheless, it was something I tried to repress or throw in the closet or under the bed and not open it up. I thought if I would sing it would be in a choir or in the shower or in the car. But it wasn’t until 2003 or 2004 where I got to the point where I said “enough!” Be you. Be real. You cannot live the life other people want you to lead because at the end of the day if you’re miserable it’s you that you have to account for. So in 2003 or 2004 I promised myself that I was going to take steps and cross paths with people, figuring out what I can do to actually take it seriously and pursue it. Since then it’s been a journey.

A: Whom do you listen to? Who inspires you musically?

F: Okay, if I have to narrow it down my favorite are the American R&B songstresses or soul divas. Everybody from Lauryn Hill, Alicia Keys, Adele, Amy Winehouse, Mary J. Blige, Whitney Houston, Brandy, Monica and who am I missing? There are so many. John Legend, I was just setting off all these females but also Stevie wonder. My favorite are definitely the rhythm and blues and soul. That’s my language. That’s what makes my heart beat. There are many more, but those are the main ones.

A: What accomplishments are you most proud of?

F: If I’m going to be real and sum it all up. I’m happy that I decided to take that leap and pursue music. It was a scary thing for me. But it’s changed my life and I’m happy I did it.

www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger

At one point I’ve wrote a list of venues that I’ve dreamt of performing on. Stages that I dreamed of gracing, and would you believe it, about a year ago I looked at that list again, and I got goose bumps. I’ve done it! Things like that, it’s just crazy. I don’t want to sound like I’m tooting my own horn or bragging. I view myself as a regular girl-next-door, a regular person. But some crazy things have happened to me on this journey that wouldn’t have happened if I had not pursued this. I love Lauryn Hill, and getting the opportunity to open for her at the concert hall or getting the opportunity to perform at the Burton Cummings theatre. There was a benefit concert at the MTS Centre and singing on that stage was insane.

If I told Flo from the past that these things will happen I would have laughed at Flo from the future and said “Come on, let’s be real.”

Those things have given me the faith and the boldness to be like “okay if these things can happen, the sky’s the limit. All things are possible.” Sometimes when I have those down days or down moments. I think to myself, “don’t forget what has happened before. Hold on to your faith, keep on looking forward because the best is yet to come.”

Don’t get into those pity party moments because we all go through those up and downs when we have our vision in mind and we know [it’s] going to be our Mount Everest or our large goal. Sometimes when we look that big goal and it’s so much greater than you, so larger than life and you wonder how you’re going to get there. Baby steps. Which is why when I look at myself and where I’m at, I think “Oh my gosh, this is going to take forever” I need to remind myself that it’s step by step and bit by bit. From where I started to where I am now, things have happened and more is to come.

A: How do you deal with nerves before a performance?

F: Well, I actually heard something that I will never forget that I tell other performers too. I think I as watching an interview on E talk or something. They were saying the greatest performers like Cher, Adele, Madonna get nervous before shows.

Adele, actually, when she had just released her album 21 she was saying how she got so nervous that before a few shows she would projectile vomit. She had a story where she was in Germany on her balcony and she was so nervous that she ended up puking on a fan. From her perspective she’s thinking, “What if I’m not good enough? What if I disappoint all these people who have come to see me?” I was shocked, I couldn’t believe Adele felt the same way.

What really got me was that other than these legends still feeling nervous; I think it was either Cher or Madonna, one of them said that it’s good to feel nervous, like an Olympic athlete before their big feat because that nervousness gets converted into adrenaline. A lot of times, when you have the best killer performance, it’s that adrenaline surging through your veins and arteries.

On top of that, what I got from the show that I’ll never forget, when you stop getting nervous get worried. It means you don’t care anymore, right? And sometimes maybe for smaller performances, where my heart might not be in it, I do okay. From my perspective and from what I know I can do, if I lack lustre and feel that’s it’s a mediocre performance I know I can do better. I find the performances where I’m nervous, and I HATE that nervous feeling, I HATE that feeling where, forget butterflies, BATS are in your stomach and you feel like you are going to puke and you are overthinking. I find those performances that I care so much that I want to do well. That nervousness, as soon as you hit the stage becomes adrenaline and you just kill it.

I don’t like those pre-jitters. But from what I hear everyone; actors, comedians, dancers, professional athletes, they all go through it. It probably won’t go away but that’s okay because it’s normal.

A: How do you balance music with any other obligations you might have?

www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger

F: I think it’s a constant juggle. I think there are few people who have mastered the art of balance. They need to teach the rest of us. Some months or some days I’m better than others. It’s definitely a struggle. I’ve heard so many stories and I know there are artists where their careers are so successful but their family lives are just brutal; that really get’s my heart because I want to learn from their mistakes. There are some people who have won Grammies, American music awards, Junos and are constantly touring but they’ve had two or three divorces. Or they will feel like crap because they look in their sons or daughters eyes and they are never there for their soccer games or tucking them in at night. Or even their friends who only get to see them on TV but never in person.

Garth Brooks took a hiatus from his career because he wanted to raise his daughters and wanted to be a dad. He ‘s not just a recording artist; he’s a dad too. I really respect that because I feel that’s important. At the end of the day when you are celebrating your accomplishments with your music, you don’t want to be celebrating them alone.

Success in life isn’t about having a successful career but having a successful family and friends. One thing that I have been hearing lately that really resounds in my spirit is that family and relationships are the most important thing in life. Again, I’ve heard so many stories of successful people who are rich but they are so miserable and so lonely. At the end of the day let’s say, not to be morbid but at your funeral you don’t want one or five people there, not that it’s a popularity contest but you want to know that you’ve impacted and touched the lives of many people through relationships.

For me, I want to try my best to balance. Sometimes, if that means that certain aspects of my music career are going to be sacrificed, at the end of the day I want to sleep well at night knowing that I didn’t mess up when the time comes [something like] marriage or kids because I was so 100% focused on my music career. So to be honest, it’s something I want to master. Balance is so healthy and important. But it’s something that I’m continuing to learn more of and try to be very conscious about. 

A: What is your songwriting process?

F:  I learned that there are so many different types of artists but I find that artists fall into different pools. There are some people who are constantly multi-tasking. When they are on touring a specific album, they are writing their next album. They are finding bits and pieces of time while they are performing to record.

Some artists do things specifically in seasons. That’s me, I’m one of those people. I’m all or nothing. I have a season where I just focus on songwriting and after that, it’s the season of taking the songs and start recording them. After that I focus on marketing and pushing that album, then touring and so on and so forth.

For me, I have learned that I’m a melodically driven person by far. Melodies come to me like out of the blue. I can be in the shower, where it predominantly happens which is the most annoying thing in the world because you’re sopping wet.

I’ve tested it where I’ll finish my shower before getting out and recording the idea as soon and I’ve either forgotten it or it’s changed. I can be driving or at the mall and ideas will just come to me. Thank goodness for our cell phones with voice memos.

It’s great for me to collaborate. Knowing my strengths and weaknesses, it’s great to collaborate with people who are lyrically driven. I’ve met people; it’s funny how things connect naturally, who are opposite of me where lyrics come naturally to them but not melodies. I find that it works best to work people [who are like that.]

Not to say that lyrics don’t come to be, because they do, but I find melodies come to me so much easier. I used to start with chords, melodies and then a couple words will come to my minds or a concept or idea then plug it in and then morph the chords around the melody.

Yeah, melodies are out of my wazoo. It’s at the point where I’ve got tons of melodic ideas and I need to start putting some words to some of them.

As the Beatles did with Paul McCartney and John Lennon, I think it was Let It Be. They started by just saying “Green Eggs and Ham” and they had the melody. Also John Legend said he does [that for] the songs he writes. For All Of Me, maybe the first thing in his mind was the word ‘roses’. He would just sing with the chords he had “roses and roses” until sentences or more concepts came to him.

I’ve found that helps sometimes, I’ll be at the piano and I’ll have a chord progression, then all of a sudden some words will come and I’ll put other words together with other stupid words. Something eventually comes out. For me always start with the melody or chord progression.

A: What advice do you have for beginner singers?

F: Follow your heart. Never sell out and be true to who you are. I love what Sam Smith said at the Grammys. He was trying to form himself to what he felt what the world’s view of the male pop artist. He was trying to lose weight, sing a certain way and he got to a certain point where he was like “screw this.” He was exhausted because he would sing a certain way, create a certain image and would go knocking on the doors of labels and people and everyone was ignoring him and not paying attention. He got to the point where he was so tired of it and just started being himself. If people like it great and if not, they don’t. He was who he was and the rest is history.

www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger

Be true to who you are. Soak in as much as you can. Learn from those who want to teach you or go to workshops. Forget just music. Some of the most brilliant minds. have all said that the foolish one is a person who feels that they know it all, but we are all still learning. Learning is so important.

Keep the vision in sight, never stop keeping it clear. Don’t let other people pop it or break it down. Be careful who you share it will because some people who want to tear it down. It’s ridiculous but some people do. Work hard and keep really good people around you. Keep your eyes on the prize and your nose to the grindstone. That’s one of my favorite sayings. Surround yourself with people who are good and people who are stronger in certain areas than you. That’s how you grow. You become more like the people you surround yourself in. There is just so much to say, but that’s the closest I can get to summarizing it all.

A: So you sing and perform, how do you approach people to join your band for performances?

F: The same way as making Facebook or twitter contacts. Initially, when I started off with putting the band together I was a little nervous because what if they didn’t want to join. When I see a musician that inspires me or who is freaking amazing, I’m like “What the heck do I have to lose?” I’ll go up to them and give them my email or maybe if they are into social media I’ll Facebook or tweet them. Telling them “I would love to work with you, let me know if you are interested. Give me a call.”

Of course, it happens where people are busy with a ton of other bands. Or some people, and I’ve told them “Much respect, thank you for your honesty” they will be like “Look Flo, we aren’t really into the R&B soul thing, I’m definitely more country or folk or rock musician.”

I’d rather someone tell me they aren’t feeling it because I’ve worked with musicians who are so good for certain genres or styles of music but it doesn’t blend well with the genres I’m doing. Or someone is playing with me but there heart is not in it. You can totally tell the difference between someone who is passionate and who loves what they are doing with you and someone who doesn’t. I love working with musicians who have their heart in it and will be like “heck yeah, let’s do this.”  Just test it out and just don’t take it personally if it doesn’t work out.

A: What is the most stressful part of being a professional musician?

F: I’d have to say unlike people we know who have the 9-5 or 8-4 job; it’s instability. As people say, it is one in a million who get to that real spot of success. But then again, success is what we define as success. [For] Some people success is being able book coffee shops across the country or continent. [For] Some people success is being able to book venues the like the West End Cultural Centre. Other people, success is selling out arenas or stadium or concert galls and getting nominated for Junos or Grammys.

I guess there are some dry spells. There are periods where it’s quieter with gigs and you have bills and stuff. I’d have to say for me, the instability and for somebody who is a little Type A who likes to have things planned out. The spontaneity can be cool but other times it can be like “crap” how do you plan your life when there are surprises that pop out.

For myself and my goals, as I mentioned, my definition of success is big and out there and so keeping my eyes on the prize is sometimes hard. Meaning I do know what I want but perseverance and persistence and staying on this road [can be challenging] because I know some people who are so talented but got tired and exhausted and sick of [it]. Continuing to have faith in what I believe and to make it and get to the end of the road is the end goal.

The instability with the little surprises that come along and holding onto that dream and knowing it may seem invisible to a lot of other people but understanding it will come. Those two things are the most stressful.

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