Posts in Punk Metal & Grunge
The Gerry Hatricks

The Gerry Hatricks deliver a progressive folk-rock music style with a punk aesthetic. Spirited and impressive musicianship is what to expect from this group of close friends. Raw and honest story telling with unique fingerstyle guitar playing and weaving, high energy bass lines that don't quit. The songs stay hot with driving drum beats while simultaneously are kept cool with soothing vocal harmonies. A full plate of medium rare melody you wont soon forget!

 
 

All pre-recorded music has been removed from this episode. 

The set list originally featured in this episode is:

The Gerry Hatricks “Concrete“ from The Gerry Hatricks EP

The Gerry Hatricks “Sean Perrun“ from The Gerry Hatricks EP

The Gerry Hatricks “PB Jam“ from The Gerry Hatricks EP

For more local music, check out the Winnipeg Music Project website.

Thank you to UMFM 101.5FM. Music by Will and Art from Collector Studio.

Transition contributed by Noah Derksen.

Gerrit Delaquis from The Gerry Hatricks and Ashley Bieniarz

Gerrit Delaquis from The Gerry Hatricks and Ashley Bieniarz

Support local music-makers The Gerry Hatricks!

Zrada

Zrada’s sound originates equal parts in the fog-shrouded valleys of the Carpathians and the sweaty mosh-pits of Anthrax shows; however their music is mysterious and primal in a unique way. A folk-punk tour-de-force, their subversion of Eastern-European musical traditions, enigmatic imagery and raucous live shows are pushing Zrada to craft some of the most forward-thinking and captivating world music in Canada today. Based in Winnipeg since 2005, Zrada has been experimenting with the soundscapes of their ancestral Ukraine for over a decade. Striking vocal harmonies, powerful trumpet and violin melodies combine with jazz infused rhythms to create a wild and joyous dance floor experience.

All pre-recorded music has been removed from this episode. 

The set list originally featured in this episode is:

Zrada “The Black Mountain“ from Legend

Zrada “The Scythe“ from Legend

Zrada “Fog“ from Legend

For more local music, check out the Winnipeg Music Project website.

Thank you to UMFM 101.5FM. Music by Will and Art from Collector Studio.

Transition contributed by Selci.

Ashley Bieniarz with Andriy from Zrada

Ashley Bieniarz with Andriy from Zrada

Support local music-makers Zrada!

Cell

Cell is a black metal band that combines cosmic blackened/death riffs, extreme drumming and slight sludge/doom metal. Formed in the late fall of 2014 by Hyperion and David Exell, in Winnipeg, Manitoba, after jamming as a two piece for a few months Ryan Strecker(Daimos) joined on bass, adding the piece that completed the full sound of Cell. Listen as Hyperion gives the Winnipeg Music Project a 101 on the local Metal scene and in the ins and outs about the genre itself.

All pre-recorded music has been removed from this episode.

The set list originally featured in this episode:

Cell “The Waiting Sea of Emptiness” from Ancient Incantations of Xarbos

Cell “Drained and Lifeless” from The Frozen Moon of Erebath

Cell “All I See Is Them” from Ancient Incantations of Xarbos

For more local music, check out the Winnipeg Music Project website.

Thank you to UMFM 101.5FM. Music by Will and Art from Collector Studio.

Transition contributed by Selci.

Ashley Bieniarz with Hyperion from Cell

Ashley Bieniarz with Hyperion from Cell

Support local music-makers Cell!

Screaming At Traffic 2.0

Screaming at Traffic is a punk rock band from Winnipeg, Mb, made up of Jacques Richer, Duncan Murta, Paul Colman, and Stefan St. Godard. Their no frills emo-punk riffing add to the group's frenzied live performance and raw yet melodic songwriting.

While filming the interview in a park in downtown Winnipeg, this interview includes the occasional question from the public. Shout out to Trudy for the great questions. Not all of them could make it in due to the audio quality, but if you’re ready this you are appreciated!

All pre-recorded music has been removed from this episode.

The set list originally featured in this episode:

Screaming At Traffic “Pantomime“ from I Don’t Like Sports

Screaming At Traffic “She’s Going Down“ from I Don’t Like Sports

Screaming At Traffic “They Call Me Thrillhouse“ from I Don’t Like Sports

For more local music, check out the Winnipeg Music Project (http://www.winnipegmusicproject.com/)

Thank you to UMFM 101.5FM (http://www.umfm.com/)

Music by Will and Art from Collector Studio (https://www.collectorstudio.net)

Transition contributed by Tristan Zaba from ZABA (http://tristanzaba.com/)

Paul and Jacques from Screaming at Traffic

Paul and Jacques from Screaming at Traffic

Support local music-makers Screaming At Traffic!

Silence Kit 2.0

Silence Kit is a heavily performative alt-rock band from Winnipeg. Their EP 'Kitty Kitty' (recorded by Vancouver's Jesse Gander) is a far jump from our previously released EP 'Started As A Whisper'. Catchy hooks, screams and noise amidst melodic guitar and raw power champion their ethos. Their sound has been characterized as everything from alt-rock to post punk, a staple made readily apparent by their intimate and explosive live performances that always deliver on energy and passion.

Set List:

Silence Kit “Kitty Kitty” Single

Silence Kit “Verbs” from Started as a Whisper

Silence Kit “Tromp L’Oeil” from Started as a Whisper

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Support Local Music-Makers Silence Kit!

Elise Roller from Solhounds

They call themselves heavy-metal grunge, only because there is no other way to describe their gritty, gut-ripping, brand of stoner rock. The combatant energy this band radiates on stage is one you can’t dismiss. You’ll drop your phone, dig into the old, angsty feelings you thought you left behind, raise your devil horns, and head bang at all things corporate, and unjust. Join the movement that Solhounds represents. one of equality and empowerment. one where a five-foot-three-inch woman could stone a giant with the martial punch of her guttural, spitfire vocals. Sung with her whole body, Elise Roller delivers songs of the underestimated and the under-appreciated. 

All pre-recorded music has been removed from this episode.

The set list originally featured in this episode:

Solhounds “Body Bandit“ single

Go For The Eyes “The Birds & The Bees“

Solhounds “I Taught Him“ single

For more local music, check out the Winnipeg Music Project (http://www.winnipegmusicproject.com/)

Thank you to UMFM 101.5FM (http://www.umfm.com/)

Music by Will and Art from Collector Studio (https://www.collectorstudio.net)

Ashley Bieniarz with Elise Roller from Solhounds

Ashley Bieniarz with Elise Roller from Solhounds

Support local music-makers Solhounds!

Bleed American

Jordan from local Pop Punk band Bleed American came onto the Winnipeg Music Project to talk about their recently released second full-length album "It Probably Isn't." Between airing a few songs, Jordan shared stories about the band's dynamics in terms of touring and songwriting as well as his involvement in the production of the behind-the-scenes aspect of the music making process. He also shared some fun music-making tips so be sure to listen all the way to the end!

Set List:

Bleed American "Dead of the Night" from It Probably Isn't

Bleed American "Comic Sans" from It Probably Isn't

Bleed American "My Dream" from It Probably Isn't

Bleed American "Summer" from It Probably Isn't

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Support local music-makers Bleed American!

Screaming At Traffic

This week Jacques Richer from Screaming at Traffic came onto the Winnipeg Music Project. He gushed about the local punk band's beginnings and their recently released EP S.A.T.! Listen to it here!

Events mentioned in interview:

Set List:

Screaming At Traffic "Broken Teeth" from S.A.T.

Screaming At Traffic "Metagame" from S.A.T.

creaming At Traffic "Monstrosity" from S.A.T.

Ashley Bieniarz and Jacques Richer

Ashley Bieniarz and Jacques Richer

Support local music-makers Screaming At Traffic!

Silence Kit

Episode 53 of the Winnipeg Music Project is with the wonderful grunge rock band Silence Kit! Mannon, Natalie and James came down to the station to talk about and promote their new EP Started as a whisper. 

Set List:

Silence Kit "Who You Know" from Started As A Whisper

Silence Kit "Trompe-l'oeil" from Started As A Whisper

Silence Kit "The Growl" from Started As A Whisper

Natalie, Ashley, Mannon and James

Natalie, Ashley, Mannon and James

Support Local Music-Makers

Awaiting the Answer

Episode forty-six of the Winnipeg Music Project, is with Mike, Aaron and Save from the metal band Awaiting The Answer! This laid back group of dudes came down to the station and talked about the metal scene in Winnipeg, their origins as a group, their influences and how their songs are written and played and more! Listen here for a super fun and hilarious interview!

As a fun extra, the guys also answered a question from a listener. I've transcribed it below:

 

 

Set List:

Awaiting the Answer "No Innocence" from Awaiting the Answer

Awaiting the Answer "Methods Unspoken" from Awaiting the Answer

Awaiting the Answer "Lakes of Sounds: from Awaiting the Answer

Support Local Music-Makers Awaiting the Answer!

Ian Powell from Speed Demon

The thirteenth episode of the Winnipeg Music Project with Ian Powell from Speed demon talks about his experiences in the heavy metal community and balancing multiple projects at once. We also talked the Wacken Metal Battle at the Windsor Hotel on Saturday March 5th at 9:00pm.
$10 cover.

Set List:

Speed Demon "No Fear"

Speed Demon "Unleash"

 
Ian Powell

Ian Powell

Eli and Evan from None the Wiser
www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger None the Wiser

Genres: Everything (Grungy, Folky, Funky, Rock stuff)

Eli’s Instruments: Voice, Guitar

Evan’s Instruments: Bass, Voice

I met with Eli and Evan in their jam session this summer and we had an awesome chat about None The Wiser and their experience performing and song-writing. I can honestly say I learned a lot from these guys and am super thankful for them letting me interview them! Read it now~!


Ashley: So you play everything, how do you decide what to play at a show?

Eli: For shows we have been keeping it to out up-tempo dance-y songs. It depends on the venue. I was even reading in this David Burn book that people write songs for venues.  They have a venue in mind as a musician and you write a song that’s geared toward that. It’s a different given or take with the audience. It’s more intimate when you are playing those quieter show but when you see people dancing and having fun, that’s what really does it for me. I guess that’s how we decide on what we play at shows, it’ where we are playing.

Evan: We often also don’t know ahead of time. We’ll have a general idea of what we’re doing and depending on what the crowd likes and we’ll change what we are playing. We play the crowd.

Ashley: So you have brass instruments in the band, how do you incorporate that when you’re playing rock music?

Eli: It’s just another layer or texture that you can add. Like I said, we don’t like to pigeonhole ourselves. We like to put together a good song with a catchy hook on the horns; they can do things [others can’t]. They can do melodies and add so many different things. It’s just nice to have them there.

Evan: I think it’s a great throwback to some of the funkier Motown that we are all kind of into. We are a band that for all intensive purposes rock band but a big brass section behind it adds this entire new layer of music.

Ashley: Where does the band name come from?

www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger None the Wiser

Eli: I’ll give my brother Zach credit for that one [back in 1999 or 2000], we just hadn’t come up with anything new since. It’s been so long that I haven’t really thought about changing it. I tried once, I did a solo op and just ended up being another None the Wiser [project].

Evan: I think too few bands are honest about how arbitrary their name is. Some bands have really cool or awesome history about their name but I think most bands are just “we need a band name and this sounds cool.” 

Ashley: So how often are you guys practicing together?

Eli: We practice at least once a week. We do Wednesdays at the jam space, leading up to bigger shows we will squeeze in a couple more. We also break it down into sectionals so I’ll go jam with the horn players so they can work out their harmonies to not waster everyone else’s time. Sometimes we’ll have practices where we just work out vocal harmonies, break it down into sections.

Ashley: What do you listen to for inspiration for music?

Eli: Oh lots of fun stuff! I like everything from the Spice girls to the Beatles.

Evan: We actually do a couple covers of Spice girls at shows.

Eli: I want to say the Beatles, Dave Matthews band, Sublime, KT Tunstall. I’ve been really into Max Martens’ writing lately, he wrote all pop songs on the 2000s. I’m into pretty much everything. I’m wearing a Fela Kuti shirt right now. I love afro beats stuff. That really helps bringing in the horns actually.

Evan: I think one of the nice things about sitting down and jam is that we come from different backgrounds with some overlap. I come from a really big metal background. I listen to metal bands and played in a lot of Winnipeg death metal bands and stuff that is very different from what we play; it also a slightly different perspective. It brings things that only once person would necessarily think of. Josh plays a lot of country, Jordan is really into weird art rock kind of stuff.

Eli: Cary is really into blues and funk and soul, so it’s a really cool mash up . Really the inspirations are infinite.

Ashley: How do you think death metal helped none the wiser?

Evan: I think if anything, I might occasionally play things a bit more aggressively than maybe other people might have thought of. I think we have a few songs where things have dropped a bit lower and a bit heavier.

Eli: I love a good solo with a gritty bass that probably comes from some metal stuff.

Evan: Cool things happen when you put a different perspective on something that’s relatively normal.

Ashley: So what is the overall songwriting process?

Eli: Up to now, we are starting to write more because we are jamming more often, but usually it always starts with a guitar and the sounds come before the words. We fill in the words to the sounds. To be perfectly honest, I don’t really know where it comes from, it’s kind of that I just lucked out and something cool popped into my head. I think that’s really common with all songwriters. They don’t really know where it comes from; every now and then they tap into the cloud of songs and just get lucky every now and then. For the most part, up until now that we are starting to write stuff together, I would come up with a song and more often than not we would have a solid first verse and chorus and whoever didn’t come up with that would help finish the words and the story and the idea and concept.

www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger None the wiser

Evan: I feel with this these fairly frequent lineup changes, like any good musician would listen to the songs and learn the notes and once they start jamming without really thinking about it, they starting playing things a little differently with different inflections. The arrangements are just different.

Ashley: How do you go deciding your set list for a show?

Eli: Again it’s really venue dependent. If we’re playing at a restaurant we usually start quieter and gradually get louder and more energetic. If it’s a theatre thing even like the Pyramid where everyone is paying attention, you really want to hit them hard with your two favorite songs then pull back and draw people back in by building it back up. I feel that’s what set lists are usually like, two really high energy songs off the bat, and then a chill song to draw people in, not lull them but bring them down so it has more effect when you bring the high energy songs back.

Evan: You aren’t going to throw in the songs you’ve only jammed a couple times and don’t sound the greatest.

Ashley: With None the Wiser, what accomplishments are you most proud of?

Eli: For me the albums are some good accomplishments because they are just a lot of our songs out there in the world for people to hear. Some of our festival shows like Shine On, the first year we played we did a John Lennon song and everyone sang alone; just the little things.

Evan: The whole reason we’re doing this is for us to have fun and express that fun and have the other people who are watching have fun. Everyone’s excited; everyone’s having a moment together. That’s more important.

Eli: That’s kind of the goal. Just to do that with as many people as possible.

Ashley: What advice would you give to beginners who might be nervous about starting their bands?

Evan: Don’t be nervous. Just go out and play. You’re probably going to suck the first few times you play so just go out and suck and you’ll get better. Even if you suck you’re going to have fun.

Eli: You’re only going to get better the more you play.

Evan: Don’t be scared and don’t care about what other people thing about you. If you really believe that the music you are playing is good or you like it or you have fun and people can see that you are having fun and you believe it, then there is going to be a crowd for it. Maybe you aren’t playing the right places, don’t get discouraged if you have a bad show, or people hate you, or no one shows up or anything of those things. I wouldn’t worry about it because you can just play another show and maybe next time people are super into it. Play for free, play for fun; eventually you’ll start making money and that’s not what it’s about anyways. IT’s about having fun; ideally you want to be making money so you can work less and play more.

www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger None the Wiser

Ashley: So if people have gathered this courage but they are missing a band member?

Evan: Go to jam nights?

Ashley: Where do you find jam nights?

Eli: Wee Jonny’s and the cavern had one fore awhile.

Evan: Go to open mics

Eli: It’s also easy to just post ads online. I have friends who have found two hardcore band members that took their band to the next level by posting an ad online. They were in their 30s and they got this kid who was 18 who was ready to go.

Evan: I lived in Ottawa for a few years and I wanted to make sure I played music so I found any music forums online and posted “ I play bass and I want to play anything you want me to play.” And I found something in less that a month. It helps if you’ve had past experience that you can cite to people but even without that it’s not going to take that long. People are always looks for people to play with.

Eli: Another thing is just asking you best friend. Maybe they don’t play the bass or the drums together, but if you start together you’ll get better together. You don’t need to be the best musicians; you just need to be good as a group. If you’re already friends to begin with you’re going to be tight as a group.

Ashley: What is your favorite song to perform live?

Eli: My favorite song right now is probably Magic All the Time or Back Behind the Blue. Back Behind the Blue is kind song sexy song, pretty psychedelic and Cary does kickass guitar solos. It’s a like a jam. The live performance is many minutes longer than the recorded one. It’s really energetic and fun and it’s new.

Evan: Probably Beale Street Beer it’s just a very straightforward easygoing vibe that’s easy to play. It’s not hard to play at all and it just feels good.

VAMPIRES
www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger Vampires Like You

Genres: Noise Rock/Punk

David Dobbs’ Instrument: Guitar

Matthew Powers’ Instrument: Drums

I met with David and Matthew earlier this summer before a show they had at the Park Theatre. I was interested in meeting them because I was really new to the genre of “Noise Rock.” To be 100% honest, I was really new to the genre. The loud atmosphere was really exciting and really let me experience a little dose of how loud and how much David and Matthew had when performing on stage. They are currently on tour doing really cool stuff. Follow them on their instagram to see all their exciting adventures. 


Ashley: How long have you been playing together?

David: Matt and I have been playing together for coming up to 2 years and vampires has been a conception for about 4 or 5.

Ashley: And how long have you been playing your instruments?

David: I started playing piano when I was 8 maybe and that moved to guitar when I was 13. I can play everything though; drums, keyboard, bass guitar and whatever.

Matthew: Yeah I started in piano, my dad tried to get me into it. I never really cared for it, drums was what I really wanted to do. I guess I have been playing drums since I was 12 years old so a long time. More than half my life which is weird to think about. Drums is my main thing but like David we are both multi-disciplinary, we can both jump to guitar and bass and dabble around on piano and all that kind of stuff.

Ashley: Where does the band name come from?

David: It comes from a deeply routed childhood love of vampires. I myself dressed up as a vampire every Halloween for like eight years in a row until my friends started calling me a loser. It’s also an emotional and spiritual reference to how as humans we feed all the time. Whether its actual practical raw matter like food or it’s like emotionally or spiritually feeding off other people. We’re drawing attention to that dynamic of not being ashamed to admit that we all feed off each other and it’s not in an angry or cynical thing it’s just something to acknowledge that we all need each other.

www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger Beef Donut

Matthew: We both really like vampires as an idea of a monster. They are kind of the most human-like. They have feelings and emotions and they are even relatable in a way. 

David: It’s the stresses we put on ourselves. Dracula always felt at odds. He was only proud when he was comfortable otherwise he was angry all the time. It just showed that he was like everyone else. 

Matthew: We don’t have any imagery associated with fangs or capes; it’s all a very artistic reference point, I guess.

Ashley: So why did you decide to start playing together?

Matthew: We kind of found each other. [David] had something I was working on on the internet and we started talking and realized that we were looking for each other.

David: I was looking for a drummer and he was looking for another project to be apart of.

Matthew: In that shared time we both kind of realized that my thing was just a in the basement having fun and he already had a project with legs and had momentum and he had a show coming up with Big Fun a couple years back and was just looking for someone to fill in the dates because he had to place it. We got together for that originally and just when on from there.

David: Yeah, we put out a four song EP together and we kind of liked the EP. It was just a showcase of what we were going through at the time. It’s really raw, its four songs that we wrote together and helped established the band in its new direction and it’s new legs so to speak. We just recorded a full-length album and it’s pretty exciting.

Matthew: It’s our first big studio album. Before [the music] was done low-fi, on the down low kind of thing. It’s our first step into a big studio with a cleaner sound. You can hopefully hear more of what we’re doing opposed to the low-fi feeling of the EP album. The songs are going to come through more in this new way.

Ashley: What is a jam or practice session like for you two?

David: Our rehearsals are usually during the week, Tuesdays and Fridays. They start around 7:00 pm typically. They’ll be me getting home from work and I’ll tidy up the space a bit and we’ll go over the lyrics and most of the time we are either writing songs or rehearsing towards a show, those two modes. We’ll play through songs a couple times and play through the songs we suck at a couple more times. Otherwise we are writing songs there is a little more relaxation and experimentation. I guess a jam is just an idea or a very small part of an idea. I’ll have a riff, let’s say, a single riff of 5 or 10 notes, some will be good and some will be bad. Matt will come along and stitch riff 2 and riff 5 together and I’ll be like “wow, it’s a line now.” Other times though they’ll just write themselves. After like four hours we will have a song.

Ashley: Would you say your songwriting is more lyrically or melodically driven?

David: Oh definitely melodically. Music writes itself and usually you find places to put vocals on top so it’s never me humming to myself trying to write guitar to my vocals it’s me matching a vocal line to my guitar I’ve already written.

www.ashleybieniarz.com - Pianist | Singer-Songwriter | Winnipeg Music Blogger Beef Donut

Ashley: And how do you choose your lyrics? What’s your inspiration?

David: It seems to always be a commentary on social relationships and social dynamics. Personal experiences that I’m watching happen. Some songs are really personal and I wonder how I sing them all the time in front of strangers. Sometimes they’re a way to get people involved.

Ashley: How do you sing about personal things? How do you decide if something is okay to share?

David:  It’s something that happens while playing music. It’s never “oh I’ll just go sit down and write music” they just start to happen. The music makes me feels a certain way so whatever I’m feeling that month or that day or that year and it just comes out. It’s usually reflective stuff, I’m commenting on something and then I decide to make it personal. How it might happen to me. I don’t really know how I let it become about personal stuff, it just happens because it makes sense. It’s okay in that way.

Ashley: Why don’t you [Matthew] write lyrics? Have you thought about it?

Matt: I guess with my own music I do, but I guess I never stepped into that role with vampires. Not to say that it’s not in the cards that if I have some lyrics that I felt passionate about. I’m still getting into singing with vampires, they used to have a pretty big back and forth vocal dynamic between the Dobbs and the drummer and that’s something we’re trying to bring back in my own way so there may be a time when I’ll have something to say but until then I’m just hitting stuff in the background.

Ashley: What accomplishments are you most proud of?

David: Still being band. A lot of bands, I think, find the internal dynamics to be too much pressure. It requires patience and hard work. We used to play at Sled Island Music Festival and that’s a huge accomplishment for this band. We’re putting out a record with a big name recording studio and that’s another huge accomplishments. We’ve gone on a couple fun little tours so far together and haven’t broken up. At the end of day it’s a band about social reflection so that interactive connection of getting other people’s take on the music so it’s always a cool moment.

Matthew: it’s nice to have people after show and say “oh I haven’t seen people do that or have that much fun on stage since I was a kid, or in years, or since this band.” People are looking at our music and what we are doing and there is a nostalgic feeling or energy that is brought back to them. I think it’s an amazing accomplishment to have that connection with people.

David: We talked about why it’s special. For us it’s just us doing what we’re doing, It’s the matter of that generational gap of the old rockers and the new kids. There is also this feeling of tolerance and inclusion, of just being seen somewhere. Part of going to a show now is just having certain people see you and tweet about you. I’m just interested in a good time.

Ashley: So you mentioned that you’re going on tour, what’s the most stressful part about going on tour?

David: The most stressful part was finding ways to keep going. We all work 8 hours a day and you’re one activity is playing then you sleep and you drink a lot.

Matthew: The days off or feeling like you’re not just wasting your time out there.

David: Learning how to maximize your time. We don’t have an agent of a publicist so we are in full control of our time and there are some points of it where we should be doing more. That’s just hard shit though; it’s not really stressful.

Matthew: It’s a breeze being out there when you’re driving to a gig and it’s going to be a new show in a new city with new people and there is always something to look forward to. Maybe it’s stressful that you’ll always needing to be “on”. You don’t want to drink yourself on the road, we want to network and meet know people and remember them.

David: That’s the most stressful part; always making you’re sure you’re at your best. Finding ways to recover to clean slate. US we’re doing the same thing everything everyday but for those people who are just seeing us for that one day.  On a personal level to meet people and say I’m a stranger and you’re a stranger and at some point you might even want some space but it’s not fair to others. It’s not out of our control

Ashley: What advice would you give to beginners who are nervous about starting out?

Vampires4.jpg

David: Don’t be nervous.

Matt: Yeah, just get out there and do it. You’ll find that once you’re on stage that nothing else matters all those things you were worried about don’t matter.

David: Be bad. Be the worst, you can only get better if you start out bad.

Matthew: Let yourself to be that too. Don’t expect you’re going to be a rock star right from the get go. My first show I got heckled with my first band. The first show we did outside of the basement. That experience was enough to be like “stop, I’m done.” But no, you want to get better and you want to prove those people wrong.

David: I’m so impressed when I see a bad who suck but they did it. They tried. I find that’s way more exhilarating than [a band] who has practiced for 10 years before finally taking the stage. Don’t perfect it. Work it out if it shows and really reflect at rehearsals. Try it out, if it doesn’t work out for a show and you’re cheeks burn red scrap it but if it works, you’re a better man.

Ashley: So what do you guys do to deal with nerves before a performance?

Matt: I don’t really get nervous anymore, I’ve been doing this for so long that it’s more the anxiety of wanting to play. It’s not that I’m scared of anything happening it’s that I just want to be on stage now; I want to be on stage where I feel comfortable.

David: I still get nervous on bigger shows. To be closer to the gear, to the stage, to the bartender or the sound guy, to feel the room that’s how I work through it. For the bigger show I’ll get nervous, it won’t be a crappy nervous where I’m sweating, it’s a nauseous nervous. I feel that’s a real strong energy that I can use to my advantage.

Matt: Yeah use it like adrenaline in a way and ride off it.

Ashley: What is your favorite song to perform live?

Matt: I really like the newer stuff. The foot we are stepping forward with, the new songs are really fun. Because we wrote them so quickly before getting into the studio just to get them out kind of the thing, I feel the songs are still evolving. What you hear of the album is just the first conception of them, us playing them live they are evolving and parts are becoming longer and things are getting cut, so things are really coming to life.

David: That’s the best to say, we’re always pumped to play the new material.

Ashley: How do you balance your music with your other obligations?

Matthew: Carefully

David: Yeah very carefully. You don’t have a social life. Your band and your art will make you very social. If you are partying all the time, you’re losing a lot of time. I have a radio show, I record that, I work at a restaurant and I do [music]. I do so fucking much. So managing your obligations, you knowing what you’re doing is important.  Continue to say, it’s important that I work toward this so you find the time. If you care about it you’ll find the time.

Matt: Music has always been a big priority of my life, as much as I tried to balance it with other things, the bands I’m in have kind of taken precedence in my life in a way. There is always for them. The jobs we have to do from 9 to 5 is more to fund the things I want to do after work. I work so I that I can be in a band, otherwise I’d be a starving musician that couldn’t afford to go on tour and wouldn’t have a vehicle. It’s impossible otherwise, I’ve tried working with musicians like that and it just doesn’t work.